MS01.01.03.B01.F27.002

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Status: Complete

[Handwritten on yellow lined paper]

2 [circled]
Skunder [underlined]

knew Giamocometti - "swept this studio
everyday". Socializing with him
It is for the artist a vocabulary which
is not alien to his cultural orientation.
The continuous change has been with
him since Nouisel series in Paris.
Mythology of the Dogon (African) in -
Cosmological - exoteric -
Geometrical Configuration / Life -
Happiness - family / Imparting to
others and sharing what he has learned
from the great cultures - Music was
very important / Social Drawing -
Conditions / "Shoe Shine Boy" / versa
the model / New Directions - 1983 October)
Works completely socialized and politicized.
Symbols: Ornamentation - continuous -
for him do not recreate Christian
Symbolizm but is a self portrait - Search
vines - interwoven / Much of this
eminates from nature - Metamorphis
yet a completely rebirth (Birth) Rebirth -
Cosmology - Matta influence / connections
attracted him - "Never felt a liking for
Picasso" (Iberia (?) from Brazil) ... Wifredo
Lam - yes - but not Picasso -
Picasso's animalistic forms are
right out of Lam". Skunder

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