MS01.01.03.B01.F27.005

[top margin] [strikethrough: Perhaps] This chain of events
that stir our imagination [strikethrough: here] in Skunder's work is [strikethrough: ?]
aided by the power of expressionistic forms
that reveal playful geometrical configurations
moving about in space as though they were guided
by a cosmological force. Many of the artists
early works contain those elements that plainly [strikethrough: connect]
show his vast knowledge of the
history of the [strikethrough: vision] language of
visual form in Ancient Africa
combining the ^ ancient calligraphy of
[?] Scholars with
the iconography of
Byzantine inspired
artist of the Christian
[strikethrough: Era] whose work
illuminated the Italy
Word[?].

Seeing beyond the shape of things and
feeling the space in which [strikethrough: an artist] one
creates is not the hallmark of everyone
who [strikethrough: designates] calls himself an artist.
But Skunder Boghossian, an African
Artist frm Addis Ababa, sees not only
the shape of things around them
[strikethrough: things] and integrates form and content
in a manner [strikethrough: which] so as to give a ^ special meaning to the temporal
order to [strikethrough: of those for] things his paintings [strikethrough: possess [?] perceive]

[strikethrough: Perhaps] This chain of events
that stir our imagination [strikethrough: here] in Skunder's work is [strikethrough: ?]
aided by the power of expressionistic forms
that reveal playful geometrical configurations
moving about in space as though they were guided
by a cosmological force. Many of the artists
early works contain those elements that plainly [strikethrough: connect]
show his vast knowledge of the
history of the [strikethrough: vision] language of
visual form in Ancient Africa
combining the ^ ancient calligraphy of
[?] Scholars with
the iconography of
Byzantine inspired
artist of the Christian
[strikethrough: Era] whose work
illuminated the Italy
Word[?].

Seeing beyond